By Paul Oddo
August 22nd, 2014 | New York City, NY
Edited by Al Bahmani
Open mics are like slaughterhouses. We all want the meat, but few of us have the guts to get down on that killing floor to witness the carnage and appreciate the process. Beautiful jokes are prime cuts of expertly carved funny meat. What ends up on your plate is the end result of a long gruesome undertaking, which is the practice required to hone the skill to make it look so easy. When people see Louis CK, Chris Rock, Sarah Silverman or Russell Peters perform they buy the ticket, enjoy the show and go home with those memories. They don’t see the failure that went into reaching that polished level. There is a lot of effort involved in making it look effortless, many levels to get there, and open mics are one of the most important.
To many people open mics are not seen as important. They can be excruciatingly awkward at times. Other times open mics downright offensive and even frightening. During our mic people have asked me questions;
“Is it always this misogynistic?”
“Is this mic supposed to be this offensive?”
“Do people make jokes about race a lot?”
“Do comics do a lot of homophobic material like that?”
“Why do you let people say things like that?”
My answer is always the same,
Edited by: Magee Miller
Winner of The 2012 Boston Comedy Festival Paul Oddo is regular in New York’s alternative scene. During his first year doing comedy Paul Oddo tied with Sam Demaris for Funniest Person in 2002’s Houston’s Funniest Person Contest. A coin was tossed and Sam won that year.
Nominated Best Local Comedian by The Houston Press in 2006, Paul Oddo is comedian that even the most jaded local comedians love to hear. Paul took some time off from shows & self promotion to catch up and tell us what he’s been up to.
By David Gavri & Al Bahmani
When I first started doing stand-up, there was a Houston Press article about Paul Oddo. I studied it like it was a strategy guide for a Nintendo game. —Chase Durousseau
Nominated as “Best Local Comedian” by The Houston Press in 2006, Paul Oddo’s style is different from the classic set up, punchline formula. With Oddo, there is always a story. It takes time and attention to appreciate his style, but have faith in him, he’s worth it. Plain spoken and unpretentious, Oddo weaves a narrative tapestry thas full of twists, turns, and unexpected surprises. Currently residing in New York City, Oddo takes some time off from self-promotion to catch up and tell us what he’s been up to. Continue reading