Notes On The Comedy Underground

By Paul Oddo
August 22nd, 2014 | New York City, NY
Edited by Al Bahmani

Open mics are like slaughterhouses. We all want the meat, but few of us have the guts to get down on that killing floor to witness the carnage and appreciate the process. Beautiful jokes are prime cuts of expertly carved funny meat. What ends up on your plate is the end result of a long gruesome undertaking, which is the practice required to hone the skill to make it look so easy. When people see Louis CK, Chris Rock, Sarah Silverman or Russell Peters perform they buy the ticket, enjoy the show and go home with those memories. They don’t see the failure that went into reaching that polished level. There is a lot of effort involved in making it look effortless, many levels to get there, and open mics are one of the most important.

To many people open mics are not seen as important. They can be excruciatingly awkward at times. Other times open mics downright offensive and even frightening. During our mic people have asked me questions;

“Is it always this misogynistic?”

“Is this mic supposed to be this offensive?”

“Do people make jokes about race a lot?”

“Do comics do a lot of homophobic material like that?”

“Why do you let people say things like that?”


My answer is always the same,

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The Etiquette of Bombing: A 5 step guide to recovery.

BillyDWashington

By Billy D. Washington

Edited By Al Bahmani

It’s late Friday night and a comic hears a knock at his hotel room door. A half dressed cutie stands there and says, “I saw your show tonight and got so turned on that I want you to make love to me tonight!“. The comic asks, “Was it the early or the late show?“.

There is nothing a comic takes more personally than bombing. Most would rather be accused of a crime than to be exposed to the uncomfortable stares of entertainment inadequacy. You never see it coming. The Bomb assumes its position when you least expect it. There is no clue as to its arrival, no prep for its ire and certainly no remedy for its results. Pre-bomb symptoms often take on flu like qualities. They include a sudden hot flash, a tightening in your vocal area, watery eyes, confusion and that one bead of sweat that develops somewhere in the middle of your back and rolls precisely through ass crack center. No matter how physically comedic or rhetorically gifted you are nobody is outside of its realm of influence. Many years ago I performed at the HBO comedy festival in Aspen and watched George Carlin stop in the middle of a taping and opt to close a showcase show later that night because the audience just wasn’t there for him.
Somewhere over the Rainbow…. If George Carlin can bomb, why oh why can’t I.

There are many ways to handle the Bomb, but as a comic who has experienced it few times and witnessed it many, I wanted to offer a few options as to how to address the humiliation with your head held high.

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HOW TO COMPLIMENT TOMMY DRAKE AFTER ONE OF HIS SHOWS

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By Tommy Drake

Edited By Al Bahmani

Author’s Note:

I was originally going to title this ‘How to Compliment an Entertainer After a Live Show’, then I thought I really shouldn’t speak for musicians because I’m not one. So I figured ‘How to Compliment a Comic After a Live Show’, would work, but I disagree with other comics on so many things it is wrong for me to assume they would agree with me on… all of this.

So, here it is, ‘How to Compliment Tommy Drake After One of His Shows’.

I’m so glad you came to my show and I’m thrilled that you enjoyed it. I wanted you to have fun and you wanted to like me and that worked out. This is great. Now, you have a moment where you are going to say a few words to me on your way out, less than a minute of our time together, please don’t ruin it.

Here are some great things you can say:

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“You Don’t Know Dick Williams”

“You Don’t Know Dick [Williams]”
Interviewed and written by Al Bahmani

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Edited by: Magee Miller

“Dick Williams is one of the best people on Earth, no matter how evil he wants you to believe he is. He has been a dear friend to me and my family for as long as I’ve known him, both in Houston and in Los Angeles. Dick was great at putting together paid gigs here in Houston and always played a starring role in every fucked up story that ever happened. He’s my friend, my rabbi, my accomplice and at times my worst nightmare. Dick is one of the great unsung, underappreciated heroes of the Houston comedy scene.”

John Wessling

In the multiple interviews with Houston comics who were around in the 1990’s Dick
Williams’ name pops up a lot. From John Wessling; Ralphie May; Rob Mungle; Caroline Picard & Billy D. Washington; many give him credit for giving them their first paid gig. The saying goes among comics, “If anyone knows how to create a gig, it’s Dick Williams”.

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The Decay of the Influential Comedian:
 An Archetypal Analysis

BillyDWashington

By Billy D. Washington

Edited By Al Bahmani

Billy D. Washington is a former Harris County Deputy Constable in Harris County, Texas (Houston) turned international touring headliner. He’s been seen on “Last Comic Standing” and “The Late Show With Craig Ferguson” and the movie “Arlington Road”. He is also an accomplished musician and playwright. Billy takes his time to break down the influence comedians have on one another. Continue reading

Don’t Post Your Stand-up Video, Yet

By Steven Padilla

You just killed it on stage and happened to record your set. Then you posted it on YouTube for everyone to see. Take it down! Odds are you recorded your set at an open mic. It was a good set, but you probably didn’t kill it from beginning to end. Be honest. You felt really good about it and that’s a good thing.

Don’t post your stand-up video until you figure out what you want to get out of it.

To Get Discovered? To Get Your Friends To Come See You Perform? To Make People Laugh? For Your Own Entertainment?

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Be Careful Squeezing the Juice

By: Steven Padilla

What is the divorce rate among stand-up comedians? There are no numbers, but it wouldn’t be a surprise if it was a high number.

Getting into stand-up comedy is very different than other professions. If you are young and single, have no responsibilities, go for it. No holds barred. Leave it all out on the table.

Being married and getting into stand-up is a whole different ballgame, especially if you have kids. There needs to be a stradegy.

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